![]() Yet, large wild animals are almost never to be found in his novels and the long-awaited encounter with deadly predators does not occur, forcing the narrator to reconfigure the relationship between masculinity and animality. Whether it be in the Sierra Nevada in 1955, in The Dharma Bums (1958),or in the Northern Cascades in 1956, in Desolation Angels (1965), Kerouac’s alter ego and first-person narrator engages in an escapist fantasy into the animal realm where he can regain a sense of authentic masculine identity, away from the feminizing effects of domesticity and civilization. Throughout his autobiographical cycle of fourteen novels, Jack Kerouac tried to present his narrator and his protagonists as archetypes of American masculinity who fought against their perceived domestication in a society which they characterized as undergoing feminization. ![]()
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